Watching Roman Polanski’s The Fearless Vampire Killers on a Saturday night that I will never get back, I would be tempted to say no. Considering Polanski’s reputation for dark classics like The Knife in the Water, Rosemary’s Baby and Repulsion I was hoping for better.
The post-war years saw a shift in vampire fiction – with women beginning to take more active roles than previously. The emerging women’s movement and the sexual liberation the pill brought had something to do with this. Though vampire fiction was still a long way from the point when Joss Whedon would decide to have the blonde girl in the alley fight back, it wasn’t really enough for women to be waiting around to get bitten anymore. One of the earliest examples of can be seen in the first Hammer Horror film about Dracula, directed by Terence Fisher in 1958.
In Horror of Dracula Christopher Lee’s performance as Dracula brings glamour to the role. The Count is well spoken, well dressed and his home is luxurious. Continue reading
Note: This is the first part of a serialised article which will be developed over future posts.
A few years ago I began to wonder where certain trends in current vampire fiction originate. Specifically I was curious about the plot that goes — girl meets boy, he is a bit pale and moody, he turns out to be a bit older and oh yeah a bloodsucking fiend (but a nice one). My curiosity took me to the 18th century, Byron, some pretty dodgy Hammer Horror films and a newfound interest in the interior decorating tastes of the undead.
Here’s what I found out: Continue reading